MUSIC


Director of Photography | Color

Director RaShan M. wanted to go with some Training Day vibes for this one, including some traveling shots on a car. We ended up rigging camera with a Matthews Pro Mount, and running a single Quasar bi-color tube off a small inverter through the windshield to light the interior. This was shot entirely in an area of Fresno called “The Devil’s Triangle.”

Cinematography

My second year as a cinematographer at Grizzlyfest, again as a gimbal operator. It’s great getting to work alongside a lot of Central California’s most talented shooters, and with producer Martyn Watts, who makes the experience so fun.

Director of Photography

Our second project with director RaShan M. and Bizzle, which included an extensive storyline element. These are ultra low budget productions with many people volunteering as actors, crew, and providing locations. I feel like we do a lot with a little.

Director of Photography

We shot a lot of performance footage and numerous lighting setups in a converted warehouse, against a large starfield. And there were lasers!

Cinematography

Got to shoot performances by Lupe Fiasco, Rebelution, E-40, Fashawn, and more with a very talented crew from LA and Fresno, led by producer Martyn Watts of Bronko Roboto. 

Cinematography

This piece includes a hefty serving of performance footage shot by yours truly.

Director of Photography

This was my first shoot with Bizzle, and second collaboration with director RaShan M. We did two days production in and around the Fresno area to capture the story and performance elements of this video.

Director of Photography

A companion piece for Royalty. We were definitely chasing light, trying to get in the shots we needed as the sun rapidly set.

Director of Photography

This video was lit entirely with practical lights and a few plastic tap lights. The flaring in then lens was all achieved in-camera.

Director of Photography

A fun shoot with a bunch of cops, a helicopter, and kids showing their moves.

Director of Photography

My first project with director RaShan M. He wanted an "8 Mile" look, which I achieved by hanging 2' skirts around the existing overhead fluorescents, setting 2 Lekos on a 12' T-stand (which is frequently in the frame), and some haze.

Director of Photography

This was a big production which entailed shooting extensively on an interesting open set built in the middle of sprawling vineyards.

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